Showing posts with label Lady Lavery. Show all posts
Showing posts with label Lady Lavery. Show all posts

Wednesday, July 28, 2010

Capital Culture Shock - Art, Shopping and a Summer of Discount Tents

Last weekend I went to Dublin for a break with teen daughter and three of her friends - foolhardy you might say but they have been hanging out for the duration of the Irish summer hols, which must be the longest in the planet. At least that's what it feels like when it's late July and you realise you've only passed the mid-point of the three-month-long break.

With teenagers who are too old for summer camps (mostly targeting primary school children) but too young to work in a minimum-wage (lower for under-18s than adults) service job (roll on next year!) the boredom factor sets in fairly quickly. And that's just the parents who have the unenviable task of monitoring their movements without being seen to be too much of a "helicopter" parent.

The boredom threshold is quickly reached, and the refrain "there's nothing to do - I'm bored" ring out across the nation. As we are not going abroad on holidays this year this adds to the sense of deprivation, and lectures ensue (= poorly disguised nagging) telling them how lucky they are. When I hear myself echoing my mother - "It's far from sun holidays I was reared" - then I have to call a halt.


Hubby bought a tent in Argos a couple of weeks ago - sale offer, 4-person with a sitting room you could stand in and a nice separate bedroom, and an awning - and that has gone down a treat for sleepovers, especially given the nice warm summer we're having. The n
ights have been very mild, and there is nothing nicer than staying awake in the tent in comfort - eating all night and staying awake till the dawn chorus kicks in - and having a good girly giggle with a bunch of pals. The first night the tent was used it lashed rain, and that
added to the sense of adventure. Of course there are mega-extension leads that bring light from the house to the tent, so it can be far enough from the house to feel like proper camping - and the garden chairs fit nicely in the sitting room part, with an old kiddie's table to sit around.

So a weekend in Dublin seemed like a nice diversion and was greeted with typical teen ennui - OK, we can go shopping, see a movie, and stay in a nice hotel. Museum visits or any cultural improvements weren't even up for discussion, so I didn't go there. Booked a couple of rooms in the Skylon Hotel in Drumcondra (wrong side of the river, one of the teens informed me, with genuine Ross O'Carroll-Kelly horror - she's city-wise having "grown up" in Dublin - on the right side of the river!) - and figured out the sleeping order would be 4:1 (they were happy to share a triple room) and we were sorted. I was pragmatic about the potential hazards of taking four young teens to a city three of them were unfamiliar with, as I felt they wouldn't leave the confines of whatever shopping centre they were deposited in, and I reminded them of the moral of "Taken", the chilling action movie about white slavery and wayward teens who didn't listen to their parents. They were pretty underwhelmed by my concerns, as they dismissed them as the usual parental fussing.

The trip to Dublin was a joy - the new tolled Abbeyleix Bypass reduced the 140 miles to just about 2hrs 40mins., motorway all the way from Cahir, and they slept all the way, after being awake all night in the tent. They decided to go to Blanchardstown shopping centre, which I thought would be a nice place for them - it was, but I didn't bargain for the nightmare on the M50 - SatNav was useless as the roadworks in what is known as Dublin's biggest car park (the M50 ring road) are unending and finding exits and ramps was a disaster.

I managed to drop them off, had a coffee and wandered around for an hour, then went back to the hotel and arranged to visit a friend later that evening. We spent some time with middle son who's finishing his MA in DIT, and I had plenty of time with him as well, while the girls hung out at the hotel with their shopping after I managed to collect them - a groundhog day experience as I overshot the exit ramp and got caught by the barrier-free toll cameras as I had to drive about 10 miles around the M50 and get back on track to re-enter the loop. Of course I missed the deadline of 8pm the following evening to pay the €3 and it doubled before I remembered it. No wonder it's such a controversial toll, and it's much dearer than the others on the motorway bypasses.

We had something to eat in the hotel, and then went to the cinema in the Omni centre in Santry - the girls to see the latest Twilight film "Eclipse" about sparkly vegetarian vampires, and my friend and me went to see the delightful "His & Hers" - sort of a documentary or narrative by women from young toddlers to elderly widows talking about the men in their lives - a real heartwarming feelgood film that had no commentary other than the women from the Midlands of Ireland talking to camera about fathers, husbands, boyfriends a nd brothers. It has got rave reviews, not surprisingly, given the dross that's in the cinema this summer it wouldn't be hard.

But what of culture, I hear you ask, as alluded to in the title? This turned out to be a spur of the moment thing that was a real delight as so many spontaneous decisions are, when the girls went to town Sunday afternoon after checking out of the hotel, and middle son and me went to town for some supplies for his thesis in Easons.

We drove around Parnell Square to find a parking space and there was one just by the Garden of Remembrance - around the corner from the Hugh Lane Gallery, with its Lavery "Passion and Politics" Exhibition, which was serendipitous as I had seen the famous Lady Lavery portrait in Lismore Castle at the Sotheby's Irish Sale Preview in April. That one sold for over €250,000 and we went to have a look at the current exhibition. The Hugh Lane is a fabulous facility for the city, as it is free, like so many of the National Museums and Galleries, and has a wonderful permanent collection as well as the special exhibitions like this. I really enjoyed it and took a few flash-free photos before realising that I wasn't supposed to - but I didn't feel too guilty as I don't see what harm it does when the flash isn't used.

The Politics and Passion refer to the new Irish Free State Government asking Laver y to paint a symbol of the new country (Éire, depicted by a beautiful woman) for the new Irish Currency, and then he used his high society American wife Hazel as the model. Given that she never set foot in Ireland (they lived in London) it must have been a controversial issue at the time, as her lifestyle would be pretty far removed from DeValera's Madonna and Motherhood vision of Irish womanhood! There were a lot of documents on display; correspondence between the Departments and Lavery and some from WB Yeats and other famous contemporaries of Lavery. I've come to the conclusion that Lavery was pretty full of himself - there are self-portraits of him receiving an Honorary Doctorate in Belfast and being conferred a Freeman of Dublin. They were probably the Posh and Becks of the Twenties, albeit with a lot more talent! And the irony of Lady Lavery adorning the currency for almost 50 years can't be missed, as they both represented the wealthy ascendancy that the new State was so keen to expunge from its history. But that's a whole other story and not one for this post; I might return to it one day.

My son had seen the Francis Bacon Collection a few times as he is a great fan of the notoriously untidy late artist. He certainly could identify with him on that score, with his vaguely similar artistic penchant for creative chaos in living spaces. Out of sheer curiosity I had to see the Francis Bacon Studio which was brought from London and lovingly recreated in a special viewing room in the Gallery, with every messy rag and paint tin (great ad for Dulux) and stacks of dusty books replaced forensically as they were in his London house. His Irish connections were as
tenuous as many of the great artists and writers we claim - he spent some years of his childhood in Dublin and then went off to school and fame in England. Some of his works were also in Lismore Castle at the Sotheby's preview.

It was a very pleasant interlude and I came away with my cultural antennae recharged, and determined to soak up some more free stuff on future Dublin visits - there's the Dead Zoo, the National Gallery, the National Library, and the National Museum at different locations around the city. Cork has the lovely Crawford Gallery and I visited there a few years ago. It would be nice to entice the teenagers to visit something like a museum but sadly they passed that stage after our last visit to the Dali Museum in Figueras in 2006! It'll be another decade or two before they'll rediscover culture and hopefully decide that it's not so bad after all.

Photos - from the top:
  • Blanchardstown Shopping Centre
  • The tent in the garden
  • Hugh Lane Gallery
  • Passion and Politics Exhibition detail
  • The Lavery Legacy and currency notes
  • Painting of picnic scene by Sir John Lavery
  • Fireplace in the Hugh Lane Gallery
  • Lady Lavery Painting by Sir John Lavery
  • The Francis Bacon Studio
  • An aptly titled bus - for teen daughter

Saturday, April 17, 2010

Of Food Festivals, Lotto and Art Millionaires - Sotheby's Irish Sale Preview 2010


Sotheby's Irish Sale Preview for 2010 is running at Lismore Castle Arts this weekend - at least 65 of the works for sale are on display again, despite rumours that it might fall victim to the recession after last year's preview, which was heralded as possibly the last. Thankfully this is not the case and I am delighted the sales are having the inaugural leg of the Irish tour in Lismore. It's a fantastic venue for showcasing any artworks, and I did a post on last year's preview also which you can check out here if you didn't see it first time round.

Jany and Sofia and me went to the exhibition yesterday and had a lovely cultural experience - it was Jany's first visit to the Castle Arts gallery and we had a nice wander around looking at the diverse collection of artworks from the early 1800s to the present day.

There's a great online catalogue for anyone interested in viewing all the works on sale; 65 of the over 100 items were shipped over for the preview exhibitions in Ireland - only in Lismore and Dublin and Belfast will the public get to view the wonderful works close up before the May 6th sale in Sotheby's London.


The signature piece this year is The Gold Turban by Sir John Lavery with a price tag up to €660,000/£600,000, for those with deep pockets. It's a portrait of his second wife, Lady Lavery, who is famous in Ireland for having been the face of Cathleen Ní Houlihan on the Irish currency notes until 1975, when the "new money" came in - same value as the "old money" but smaller more modern-looking notes.

There were some pieces by sculptor Edward Delaney (d. 2009) whose well-known bronzes adorn College Green and Stephen's Green in Dublin.

As ever with these exhibitions - there's an element of the Emperor's New Clothes where I am probably showing my ignorance of art as a real aficionado by just not "getting" a lot of the very contemporary art - cubism and very abstract art just doesn't do a lot for me, which is possibly my loss and purists among you will be throwing your hands up in despair of such philistinism.

That the Seán Scully stripey abstract painting "Eriskay" commands from £200,000 to £300,000 (€221,000-€331,000) kind of wrecks my head as I can't see how such a value is put on a piece of work. Yes, it is nice to look at - strong colour stripes with an inlaid smaller block - but as it is similar in style to all his work and is instantly recognisable I don't see what distinguishes it from other signature pieces.

When I look online at his body of work and his reputation it is apparent that he is very renowned - coincidentally I saw a programme on him last week on Irish TV - and I read a recent Sunday Times supplement feature on him - his is a rags-to-riches life of the order that would make Frank McCourt's miserable Limerick childhood seem privileged.

There were many others - known and less known, and many totally new to me - which I liked and which were under the €100,000 level and some were under €10,000, which probably put them in the bargain bin. I liked the Seán Keating paintings - they were warm and traditional and appealed to my basic art appreciation instincts! So too were the Paul Henry "Peat Stacks" which I love, and the super-realistic petrol pumps by John Doherty. Like I said last year when I saw one of his works here, they remind me of Edward Hopper's gas pumps painting - which I came across first in Alain de Botton's Art of Travel, a philosophical treatise on travel in its many forms with links to art. The Louis le Brocquy "Spanish Shawl" was another £500,000 painting, and was unlike the more ethereal "Presence".
I hope you enjoy browsing the e-catalogue, and anyone in Dublin on 21-22 April and Belfast's Waterfront on 23-24 April may get a chance to view the Collection before Auction Day in London on May 6th. There may even be some buyers among you at the Auction in London on May 6th - especially any lotto winners out there.
The National Lotto Jackpot was won in Co. Waterford this week - the winner chose to remain anonymous - but it wasn't me, I assure you. €16 million plus was won, and it would certainly be a life-changer.
I was in Eason's in Dungarvan Shopping Centre, where the winning ticket was sold, and the manager Pat White was keeping shtum about the identity in radio and TV interviews - he was a man with a secret and he wasn't about to disclose anything. That all adds to the speculation which is growing by the day - mostly good-humoured jibes promise to be aimed at anyone with a new car or unexplained absences from work over the coming weeks.

It was a nice symbiosis - having a lotto millionaire in Waterford, right in the vicinity of the means of disposing of a fairly large whack of it in one fell swoop by investing in some serious art! For the rest of us, we can dream of ownership of a favourite piece, while enjoying the pleasure of visiting a lovely art gallery and gazing in wonder at at the paintings and scultptures, even if they don't all have universal appeal.


It was a beautiful sunny day, and we wandered around the Castle Gardens (which you already
know about if you read my posts on Devonshire Day in March 2009 and 2010). Jany was chuffed to meet Laura, Lady Burlington (the wife of Lord William Burlington who runs the gallery and spends a lot of time in Lismore Castle - he's the son of the current Duke of Devonshire) and their little girl in the garden, where they had a nice chat about babies and toddlers. We have been invited to the launch next Friday of the Summer Exhibition in the Gallery - Gerald Byrne is the artist, and that will be quite avant-garde.

The Waterford Festival of Food was on this weekend and Lismore had the Farmers' Market going all day Saturday in the Castle Avenue, with delicious food stalls and demonstrations from various chefs. The weekend in Dungarvan had a lot more foodie events and celebrity chefs like Neven Maguire and Paul O'Flynn of the local Tannery - but I was happy to stay in Lismore and soak up the atmosphere - without any noticeable Icelandic volcanic ash deposits - in glorious sunshine where you could for a while think you were transported for a day in Provence.



The photos show some of the works of art and an overview of the Gallery:
  • Sir John Lavery's The Gold Turban, the money with Lady Lavery,
  • Sean Scully's Eriskay,
  • Paul Henry's Peat Stacks,
  • Sean Keating's Self Portrait,
  • John Doherty's The Odd Couple - open for petrol in Castletownbere,
  • Louis le Brocquy's Spanish Shawl,
Me and Sofia at the Farmers' Market and Jany and Sofia in Lismore Castle gardens